A Few Thoughts on That Thurston Moore Gig

First, I love Demol­ished Thoughts. I feel like I’m get­ting to that age where I’m com­fort­able enjoy­ing albums by my ’90s heroes unapolo­get­i­cal­ly, despite know­ing in my ratio­nal mind that they’re sad imi­ta­tions of their Great Works. To me, Demol­ished Thoughts is a great Sun­day morn­ing album, and last I checked, there are lots of Sun­day morn­ings where that brand of acoustic strum is absolute­ly necessary.

Last night’s show was also very good in that way Thurston Moore shows are good: he’s this dopey man­child with a real thirst for knowl­edge. He’s pre­ten­tious to a fault and last night was no excep­tion. The inter­sti­tial poems I could’ve done with­out, but by the same token, his hilar­i­ous­ly over­wrought poet­ry took me back to the place when I first start­ed lis­ten­ing to Son­ic Youth. His brand of dorky pater­nal­ism, i.e. the “I, char­ac­ter in this song, will pro­tect you, afflict­ed puta­tive­ly female char­ac­ter of song, from these dumb jock mis­cre­ants.” It’s cute in this total­ly hack­neyed I‑can-still-regur­gi­tate-assort­ed-gen­der-stud­ies-talk­ing-points sort of way. I mean, I remem­ber the ’90s, too, and some­times I’m embar­rassed for how I act­ed then. I think Thurston feels this way, too.

When it was over I was most­ly sad­dened that he played “Bene­dic­tion” with­out men­tion­ing Jack Rose, for whom the song is sup­pos­ed­ly writ­ten. Maybe I can blame Byron Coley for the bad poetry.

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