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Stereogum on Pitchfork Music Festival

Stere­ogum’s Tom Brei­han on the Pitch­fork Music Fes­ti­val:

I find some­thing quizzi­cal and hon­or­able in this: A whole fes­ti­val built around music that is not, in any way, designed for par­ty­ing. In a way, isn’t that the log­i­cal end­point of a decade-plus of inter­net music con­sump­tion? We’ve all spent all this time find­ing music on our com­put­ers and pip­ing that music direct­ly into our ears, rarely if ever hav­ing real-life con­ver­sa­tions about some of the artists who mean the most to us. Why shouldn’t we be ded­i­cat­ing entire fes­ti­vals to that same anti­so­cial expe­ri­ence?

Need a #latepass here, but I’m not alto­geth­er sure what this is about. I attend­ed the show Sat­ur­day with a friend, cour­tesy of Pitch­fork, and found myself chat­ting with present and for­mer Pitch­fork crit­ics, as well as the Super Fur­ry Ani­mals in the VIP.

There was also a mas­sive crowd in Union Park singing “Bar­bara Ann” as I left. It sound­ed about the same as when I first expe­ri­enced the Beach Boys 30 years ago at the Great Allen­town Fair.

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