Categories
Listening

We Don’t Deserve The New Pornographers

I wrote this about the New Pornog­ra­phers in 2017. It still holds up. Their new record is fab­u­lous. You should lis­ten to it if you haven’t already! I’m still wrestling with why I ever took a break from them in the first place.

A big part of why I tuned out on the New Pornog­ra­phers was around the time “Chal­lengers” was released. It got a 6.0 from Pitch­fork and my mem­o­ry of that album at the time was just that it lacked the unsus­tain­able punch of their ear­li­er records. Carl talked to Tom Scharpling about this right before he released “Shut Down the Streets” and it was deeply affect­ing for all the rea­sons you can imag­ine.

Carl revived that thread with a series of tweets. and it’s kind of delight­ful through the winc­ing.

Flash for­ward and the band is tour­ing and doing press on their new record, “In the Morse Code of the Brake Lights.” New­man has been curat­ing amaz­ing pow­er pop on Twit­ter and shar­ing gems like this cov­er of a brand new GBV song in case you won­dered why we real­ly don’t deserve a band this good.

Spend some time with their new album and their cat­a­log now that it’s get­ting cold­er and you’re stuck indoors.

Categories
Watching

Cat Power — Wanderer

If a new album from Fred Thomas was­n’t enough, the news that Chan Mar­shall will be releas­ing her first record in six years made my week. I’m not usu­al­ly crazy about album trail­ers but I’ll make an excep­tion for Cat Pow­er. She’s one of those artists I don’t know I need until I hear it. The Great­est still haunts me twelve years lat­er. Now I just need some­thing to dis­tract me from the fact that this won’t be out until Octo­ber.

Categories
Watching

Fred Thomas — Good Times Are Gone Again

I saw Fred Thomas open for Eleanor Fried­berg­er last year at Third Man Records down­town. His ver­bose indie pop on last year’s Chang­er caught me com­plete­ly off guard. How had I over­looked an artist whose music so res­onat­ed with me? “Open Let­ter to For­ev­er” is the per­fect mix of poignan­cy and com­e­dy. It’s a song that makes me smile every time I hear it.

Yes­ter­day, Fred’s first sin­gle from After­ing debuted at The Fad­er. I can’t wait to hear the rest of the album in Sep­tem­ber.

Categories
Doing

How to Defeat the Infinite Scroll

We all stare into the infi­nite scroll. Sure, it was once a ques­tion­able UI solu­tion that cre­at­ed an even more dubi­ous UX for sur­fac­ing con­tent on web­sites — don’t like what’s on the menu, well, what if that menu were end­less — now defines how we con­sume con­tent online, inter­rupt­ed only occa­sion­al­ly as the time­line lags. It’s an exhaust­ing, indis­crim­i­nate way to inter­act with media, but what’s the alter­na­tive? We lit­er­al­ly look at mobile devices hun­dreds if not thou­sands of times a day and the social web waits to scratch an itch our brains have to be con­stant­ly enter­tained.

Ever since the elec­tion, I’ve striv­en — unsuc­cess­ful­ly- to change my media diet. As some­one who con­sumes a ton of con­tent that streams through my var­i­ous time­lines for pro­fes­sion­al rea­sons, I’m try­ing to be more mind­ful of and inten­tion­al about my media con­sump­tion and the habits that enable it.

I’ve long admired Jason Kot­tke’s work and late­ly I’ve appre­ci­at­ed how he’s doc­u­ment­ed his media diet in much the same way one might keep a food jour­nal. Here’s a recent exam­ple.

To that end, I’ve com­piled a list of things I’m engag­ing on pur­pose!

Listening

  • Yo La Ten­go — There’s a Riot Going On. Seri­ous­ly just what the doc­tor ordered to start an unsea­son­ably cold spring. I did­n’t think they’d match the bril­liance of Fade, but this is a great coda on a won­der­ful career.
  • Stephen Malk­mus and the Jicks — Sparkle Hard. Ever since I heard the first sin­gle, “Mid­dle Amer­i­ca,” which sounds like it would fit com­fort­ably on Ter­ror Twi­light, yet still sounds fresh.
  • The Breed­ers — All Nerve. Ugh I know this has been very “Remem­ber the 90s” but the new Breed­ers has so much atti­tude! “Ner­vous Mary” is one of my favorite songs of the year.
  • Kamasi Wash­ing­ton — Heav­en and Earth. A per­fect­ly defi­ant record. It’s how I start Sun­day morn­ing in 2018.

Reading

  • Abbott. Sal­adin Ahmed’s phan­tas­magoric thriller set in the ’70s about a Detroit reporter inves­ti­gat­ing mur­ders in Cass Cor­ri­dor is reminscent of Lau­ren Bewkes’ fan­tas­tic nov­el, Bro­ken Mon­sters, but less nou­veau Detroit.
  • Red­dit. I remem­ber when Red­dit was cas­ti­gat­ed as being the inter­net’s cesspool, but now the notion of self-mod­er­at­ed com­mu­ni­ties that you can vis­it inten­tion­al­ly feels pret­ty great.

Watching

  • Every­thing trail and ultra run­ning, start­ing with The Barkley Marathons: The Race that Eats Its Young. The Barkley Marathons aren’t an insane race, they’re an exis­ten­tial cri­sis. A friend of mine from high school went this year to observe the race and he wit­nessed its bru­tal majesty first­hand. There were no fin­ish­ers this year. Check out The Year Barkley Won in Trail Run­ner Mag­a­zine, too.
  • Baby­lon BerlinJason wrote a bit about the music here, but I was pos­i­tive­ly spell­bound over 16 45-minute long episodes. “Zu Asche, Zu Staub” is a show­stop­per. Baby­lon Berlin is thrilling and punc­tu­at­ed by fan­tas­tic song and dance num­bers.
  • The 2018 Philadel­phia Phillies. I’ve been bull­ish on the Phillies’ rebuild, but had not expect­ed them to lead the NL East in the first half. I also did­n’t expect the Braves to be at the door so quick­ly either.

I’ll try to update this on a quar­ter­ly basis. How do you man­age your cul­tur­al con­sump­tion habits?

Categories
Doing

Royal Trux at El Club

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Roy­al Trux!

A post shared by J T. Ram­say (@jtramsay) on

 

Let’s fake our way through Bad Blood for John.”

Neil Michael Hager­ty was try­ing des­per­ate­ly to get through a gor­geous, dis­as­trous set at El Club’s first birth­day par­ty with a Roy­al Trux clas­sic, ded­i­cat­ing it to Neg­a­tive Approach’s John Bran­non, the first son of Detroit hard­core. Hager­ty’s band­mate Jen­nifer Her­re­ma had spent most of the show seat­ed or lay­ing down onstage, join­ing in on vocals spo­rad­i­cal­ly.

It was every­thing I’d imag­ine it would be and more. Thrilled to see them back togeth­er again and back out on the road.