Cha-ching!

Mountain St. Blues

The tec­ton­ic changes fac­ing media com­pa­nies are by now the top­ic of an often-recit­ed ser­mon. Put briefly, dig­i­tal tech­nol­o­gy is plac­ing con­trol over much infor­ma­tion square­ly in the hands of con­sumers and cre­at­ing all kinds of oppor­tu­ni­ties for new entrants who can push the rev­o­lu­tion forward.

And…

These are new-media ven­tures that leave the com­pe­ti­tion scratch­ing their heads because they don’t real­ly aim to com­pete in the first place; their cre­ators are mere­ly tak­ing advan­tage of the eco­nom­ics of the online medi­um to do some­thing that they feel good about. They would cer­tain­ly like to cov­er their costs and maybe make a buck or two, but real­ly, they’re not in it for the mon­ey. By pure­ly com­mer­cial mea­sures, they are illog­i­cal. If your name were, say, Rupert or Sum­n­er, they would rep­re­sent the kind of ter­ror that might keep you up at night: death by smi­ley face. [empha­sis mine.]

What he said, with reser­va­tions. Thoughts?

There’s a good deal more to be said on the sub­ject of the democ­ra­ti­za­tion of tech­nol­o­gy and its con­se­quences, depend­ing on how you see it, and the impor­tance of find­ing con­struc­tive ways to reassess the crim­i­nal­i­ty of the busi­ness at hand. What you have right now is a sort of open-end­ed war against per­sons by a public/private ven­ture (e.g. busi­ness and gov­ern­ment; see also: war on drugs.) A mean­ing­ful com­pro­mise needs to be reached, and it’s pos­si­ble that as cor­po­rate hold­ings are divest­ed for lack of prof­itabil­i­ty that artists may have new oppor­tu­ni­ties to con­trol their work and sell it as they see fit.

As regards prof­itabil­i­ty: prof­itable for whom? Steve Gor­don said him­self that once Albi­ni gets past the rhetoric, the num­bers still apply. After all, it’s a busi­ness cri­sis, not a music crisis.