From the New Yorker:
Legend has it that after one group of players had crept their way as quietly as possible through a score of his Feldman barked, “It’s too fuckin’ loud, and it’s too fuckin’ fast.â€Â
Feldman’s Rothko Chapel condenses so much feeling into so little space that, given the emphasis he placed on time and patience and the voluminous emotional depth of his work, it’s strange that such a moving tribute would be so brief and so accessible.
[See also: Morton Feldman says]