Woe­bot’s lat­est install­ment may be a bit ten­den­tious in favor of Amer­i­can folk tra­di­tion over the UK’s, but it’s still very inter­est­ing to see the Cecil Sharp House.

[In my unsci­en­tif­ic opin­ion, there’s a cer­tain amount of valence exoti­cism that par­tial­ly explains why Woe­bot might favor Amer­i­can over UK folk. I think the shoe’s on the oth­er foot for Amer­i­can artists in the neo-folk tra­di­tion who tend to lion­ize Eng­land’s late ’60’s output.]