We can certainly sympathize.

Cocaine Blunts gets meta, crit­i­cizes goldrush/flavor of the month blog­ging, and notes the viral mar­ket­ing aspect of so much rap blog­ging. From the blog:

Despite often being brand­ed with the term “tastemaker,” most rap blog­gers (and most music writ­ers by and large) have no taste. [1] And I don’t mean they have bad taste. That would be the least of their prob­lems. I mean no taste. Their rela­tion­ship with rap music is sole­ly about find­ing what’s hot (the tastes of oth­ers) and either rein­forc­ing it or tear­ing it down. Taste is not a bina­ry deci­sion. I want to read writ­ing from peo­ple who are active­ly going out of their way to find rap music that they aren’t yet famil­iar with. And when they do find it, I want them to gut that shit and wear it’s skin like a new fur coat. Lit­er­ar­i­ly, of course.

I think a lot of indie types went through some­thing sim­i­lar dur­ing the late stages of the rock­ism debate. Most crit­ics inter­pret­ed pop­ism as an excuse to cel­e­brate a lot of garbage artists, rather than to cel­e­brate what was good about them and trash the rest. When I read crit­ics who strug­gled to accept, or whole­heart­ed­ly reject­ed pop­ism, I find that their reviews still hedge a bit: the pop­tomist school was to rock crit­i­cism what the Gang of Four was to the Cul­tur­al Revolution.

As for the pul­lquote above, it’s dif­fi­cult to lis­ten to music in the way Cocaine Blunts wants us to. Music crit­i­cism demands new mate­r­i­al all the time, new pitch­es, new angles, new artists and gen­res. It’s the Great Noth­ing come to sweep clean the face of the Earth. With so many hun­gry writ­ers out there, whether they’re free­lance or blog­gers, it’s hard to keep up with the Jone­ses. There’s not always the lux­u­ry of liv­ing in a record before you review it. Trust me, I miss lis­ten­ing to music that way. But keep in mind: the more you lis­ten to music, the eas­i­er it is to tell whether you like it or not, regard­less of intense pub­li­cists and elbo.ws hype.

[As I fin­ished this up I’m giv­ing Dan Dea­con’s Spi­der­man of the Rings a lis­ten. This is what a day on noise board looks like in terms of hype cycle. Music — it’s a love/hate game any way you play it.]