If you’re into reading brainy music blogs that don’t get mired in jargon, you already miss Woebot tremendously. I’m one of those people.
The past year saw the disappearance of Stylus Magazine too, a webzine that got me back on my music-writerly feet after a miserable audition at Pitchfork. Stylus was the Montreal Expos of music criticism; writing there meant that your record reviews would be noticed by people who could pay and editor Todd Burns did an amazing job re-inventing the magazine as writers came and went. A tremendous labor of love, Stylus presented an alternative to Pitchfork when it mattered most, earning a readership as cantankerous as its contributors, and a legacy that lives on in the success of those who wrote there.
Thanks.