Refused Make Decibel’s Hall of Fame

Can’t tell you how thrilled I was to see the new issue of Deci­bel. This piece by Nick Green is a must-read, and I’m hon­est­ly sur­prised I haven’t seen more love for it online. Maybe I’m just not read­ing the right things, or maybe the Deci­bel mas­sive isn’t all that into Refused, but I was blown away. Great choice.

Not sure I know exact­ly why I love this album so much. It’s not some­thing I ever lis­tened to all that often and I cer­tain­ly was­n’t into it when it was released in ’98. I prob­a­bly did­n’t hear it until much lat­er when the album art caught my eye while job hunt­ing on my room­mate’s com­put­er in 2003. I loved how pre­ten­tious it was and could­n’t resist its temp­ta­tion. Like Fugaz­i’s The Argu­ment, it’s a bold state­ment album and one you won’t soon for­get. Cer­tain­ly a must for folks who missed out alto­geth­er. Let’s please diver­si­fy our ’90s nos­tal­gia past rote reunions like Pave­ment and Guid­ed by Voices.

Haven’t heard the reis­sue yet but I’m clam­or­ing to get my hands on a copy. Take every­one’s word for it. You won’t be dis­ap­point­ed. Chill­wave does­n’t have this kind of cathar­sis. Trust me.

Gil Scott-Heron in the New Yorker

Recent­ly read Gil Scott-Heron’s pro­file in the New York­er and was absolute­ly gut­ted. I’m among the few crit­ics who did­n’t imme­di­ate­ly fall in love with his new album on Mata­dor, and the arti­cle did lit­tle to con­vince me that it’s not the most exploita­tive release of 2010. Can’t help but feel awful for a guy who’s life is com­plete­ly dic­tat­ed to him by crack addic­tion. It’s like tak­ing advan­tage of old blues­men if you ask me.

Watch the video for “I’m New Here” above.

Rihanna at the Borgata

You know that scene in The Body­guard? It was like that the whole time.

I’ve been all about R&B this year. Don’t know why it took so long. I guess it was eas­i­er to com­plain about all the things that were wrong with indie rock. Now when I look back, I feel like I real­ly did­n’t appre­ci­ate all the great stuff that hap­pened when I was grow­ing up because it was­n’t “under­ground” enough. Wish I’d under­stood the dif­fer­ence between main­stream crap and real­ly great, engag­ing art back then.

Hav­ing said this, this is a pret­ty lack­lus­ter Rihan­na song, but it’s one of just two videos from the Bor­ga­ta show last week­end. Fun­ny since you could­n’t look at the stage with­out see­ing hun­dreds of cam­eras point­ed direct­ly at her. Like I said, it was like that scene in The Body­guard from start to finish.

Last Call for Zane Lamprey’s Three Sheets?

I knew things weren’t good when I first caught a glimpse of Zane Lam­prey in a Sub­way com­mer­cial. When I start­ed fol­low­ing Lam­prey on Face­book, I saw that he was work­ing on a new project, but his oth­er show, Three Sheets, has got­ten a stay of exe­cu­tion. Then I read this post over on his site. This tweet did lit­tle to con­vince me that Mark Cuban was des­tined to save Three Sheets.

Is Zane Lam­prey cursed? Should the title of this post real­ly be “How Zane Lam­prey Sank Two Net­works?” Think of the SEO!

Now, I get why Trav­el Chan­nel balked. They have Antho­ny Bour­dain’s show, No Reser­va­tions, which fea­tures him doing much the same thing, with more culi­nary insight and less self-aware­ness. Peo­ple like that. He’s macho. He knows famous peo­ple. Win, right? Who could be both­ered with the wild­ly relat­able Lam­prey who seems to make friends eas­i­ly wher­ev­er he goes.

I still don’t remem­ber how we dis­cov­ered “Three Sheets.” My guess is that Helen hap­pened to find it while chan­nel surf­ing, or a friend told us we should tune in. The show was great. Even if you don’t care about booze, who would­n’t enjoy on-screen tal­ent will­ing to debase him­self in ways even the Three Stooges would refuse?

Whether he was at home or abroad, Zane got him­self into all the best kinds of trou­ble. Any­one who’s ever got­ten drunk over­seas knows how it feels to wake up the next morn­ing and hop on a plane, impos­si­bly hun­gover. It’s hell, yet Zane sub­ject­ed him­self to such tor­ture glee­ful­ly. I some­times found myself real­ly root­ing for the booze to defeat him, but like the Wash­ing­ton Gen­er­als, it nev­er won.

I hope Zane isn’t exiled to Cuban’s HDNet. Where does any­one watch that? I’m real­ly sor­ry we missed him when he blew through town last June. Hope­ful­ly he’ll find a munif­i­cent home for “Three Sheets” before he’s back through.