Saying Goodbye to My CD Collection

I start­ed pack­ing up my remain­ing CDs last night. I’ve final­ly real­ized that no mat­ter how often I tell myself that I’ll rip them to a dri­ve, or that I’ll fall in love with the medi­um all over again, they will only col­lect dust in a dark cor­ner of my house. Don’t believe me? Look how many times I’ve lied to myself about it!

I’m rid­ding myself of a col­lec­tion I’ve built over 20 years. With a lit­tle effort, I could turn the entire thing into a Spo­ti­fy playlist in about an hour. It’s hard not to feel defeat­ed. How often did I spend mon­ey bet­ter spent on food or clothes on music that I bare­ly heard? I’m still find­ing unopened CDs with receipts that are a decade old. Now I’ll sell them for pen­nies on the dol­lar and be glad.

I’m doing my best to not be sen­ti­men­tal about it, but it’s brought back mem­o­ries of trips to record stores around the world. My R.E.M. CDs have been with me since I lugged them to Den­mark as a 17 year old! I can still remem­ber how much I cher­ished the 40-odd albums I took on exchange. I remem­ber when my col­lec­tion bal­looned to 120 care­ful­ly curat­ed discs in grad school. I spent time man­i­cur­ing it, trad­ing in to trade up, bud­get­ing as best I could to have a col­lec­tion my peers would respect. It grew to near­ly 1500 discs when I moth­balled it in the walk-in clos­et. Now as I pack it up and pre­pare myself to sell it all, I shake my head with every obscure disc I find encased in shrink wrap.

If you or some­one you know would like to own a music col­lec­tion that imme­di­ate­ly makes it seem like you came of age in the ’90s, you might want to stop by AKA Music in the next cou­ple weeks. It’s only fit­ting that I take them back to the place where I spent so much time and mon­ey on the music I’ve loved most.

Jonathan Franzen’s Freedom

Free­dom will be remem­bered as a sto­ry that cap­tures a very strange chap­ter in Amer­i­can his­to­ry. It’s hard to put a fin­ger on it, but the mood of the last decade is some­thing Franzen nails. His char­ac­ters rep­re­sent the amoral fugue state we drift­ed off into col­lec­tive­ly after 2003. I’m not even sure his hol­lowed out char­ac­ters could real­is­ti­cal­ly course cor­rect, yet they do, and for that rea­son I was some­what dis­ap­point­ed in the novel.

Equal­ly ter­ri­fy­ing, alt-coun­try act Wal­nut Sur­prise rep­re­sent­ed one of the worst musi­cal move­ments of the decade. We have only our­selves to blame.

Woebot’s 100 Lost Rock Albums From the 1970s

Matthew Ingram’s fan­tas­tic Woe­bot blog was an inspi­ra­tion to me as a crit­ic. His vora­cious appetite for and catholic taste in music pushed me to expand my palate and lis­ten to music oth­ers may have dis­missed as less­er works. In short, Woe­bot had big ears and it did­n’t hurt that he could write. 

I’m final­ly read­ing his ebook, 100 Lost Rock Albums from the 1970s and it’s bring­ing back lots of mem­o­ries. This is the music I fell in love with around the time Stephen Malk­mus released Pig Lib and even name checked the Ground­hogs on tour. Some of the ground Ingram cov­ers is famil­iar, but what makes the book so reward­ing are the impos­si­ble to find albums that rekin­dle my love for crate digging. 

If you’re look­ing for a place to begin, check out this com­pan­ion playlist on Spo­ti­fy.