- Sansho the Bailiff doesn’t haunt me like Ugetsu, but Mizoguchi does things with light and texture unlike any other filmmaker. Recommended.
- I’ve been in a mid-year rut with music. I’m disappointed in the New Pornographers’ Challengers on first listen; I haven’t heard any good buzz about Spoon’s Ga Ga Ga Ga Ga [aside from the lovely New Yorker retrospective]; and I’m worried that the new Liars’ record will be a complete bust. What can I say? I’m a pessimist! I hope I’m wrong [or that something unexpected happens to renew my interest in music 2007.]
- Arthur and Yu is pleasant. Bloody Panda are pretty cool. Chris told me to give Gowns a chance. I may be done writing for Paper Thin Walls, but I can think of few sites so thoroughgoing in their curatorial capacity. Not sure if that translates into traffic, but cred has to count for something, doesn’t it?
- [Confidential to WOEBOT: S. Reynolds has been manufacturing crises for material for quite some time now. He wears cultural trends like a jacket he can toss on the couch whenever he feels like it. How’s that for bringing back “discursive energy?” I mean, how can you lament the democratization of a technology and music?]
- Reading Mediaor is great, but it also points up just how much redundancy their is in Web/Music 2.0 applications. I just want something to replace MySpace now — awful ad-cluttered interface, spam nightmares with a horrible media player. Somebody? Anybody?
- Speaking of which, I want want want to read this like yesterday. I’ve been a little more interested lately in where digital music and video and the internet are headed more than the video and music that are driving it.
Category: Doing
It was like going to the movies during the day.
Though it’s gone downhill recently, Cinemarati will be sorely missed. There’s always Filmbrain…I hope! And here’s something I applaud over at Self-Styled Siren!
We sipped from a freon tank together for relief.
I think we as American music critics expect too much of British artists. We want 1984 and Billy Liar. Portishead and the Kinks. So I had to laugh when I saw Wiley on the cover of The Wire this month. Do they not know that the whole world went post-grime the moment Lady Sov first melted down, you know, like two years ago? Didn’t Dizzee just release an album this week to no fanfare at all? Now Soul Jazz is releasing a dubstep compilation?
Did The Wire purposely tank the moment I bought a subscription? I know that’s not true, but when they changed graphic designers a few years ago, the look and feel of the magazine suffered and the content soon followed suit. What happened?
It’s about love and death and revenue sharing. Up-selling abounds.
I’m not sure that Hypebot’s six part series on eMusic’s recent turbulence was anything more than sound and fury signifying nothing, or at best, very little about digital music at all. Seems to me that it was more about the blood in the water than anything else, and like frenzied sharks, eMusic representatives took the bait when they probably should’ve steered clear. On the one hand it’s interesting to see executives who care so much about their product, but on the other, they should’ve exercised better judgment when it comes to open letters, etc.
The landslide didn’t bring me down. It was the avalanche that hit first.
I’ve been swamped. I love ducking in here like I’m trying to get out of the rain…which is a nice segue [cough] into:
- Rihanna — ‘Umbrella’ [I’m interviewing her later this week. It’s about that time for R&B protection ballads. There’s a war on, after all.]
- Mutant Sounds. I was a little tired of Chocoreve [even though that blog has some amazing moments] so I threw this in the blogroll in its place. Brace yourself for tons of weird music, posted faster that you can reload your rapidshare account.
- The new, yet not so new House is a Feeling. The team blog concept is great, except that undoubtedly everyone’s already overcommitted elsewhere [Back and Forth, RIP] and the blog just dies alone [though some a great repositories that shouldn’t be deleted.] Ronan’s picked up the torch quite admirably here, with nice new mixes apparently almost daily.
- Trying to understand why the newest New Pornographers song just isn’t that good, yet is still being posted everywhere on the internet with an OMG tag. Just another instance of all your blogs are belong to us, I guess.
- Netflix. Dreamgirls and Kieslowski. Where the hell’s the Wajda war trilogy though? Having been a dedicated employee and devotee of brick and mortar rental since forever, this was a major step for me. It already makes a hell of a lot more sense than leaving the house to find titles that every other nerd in town wants too. And new releases? Sweet. I can’t wait for the Raymond Bernard box to come out!