Why I Love Where I Work

I know I’ve been talk­ing a lot about beer and the music indus­try here, but I want­ed to stop for a moment to talk a bit about my work. Since I got back from my long over­due trip to Den­mark, I’ve been invit­ing bands into the Com­cast Cen­ter for inter­views and ses­sions in our lounge, CIM City. Last week, I had Mastodon in to talk about their new album, Crack the Skye. This week the Ther­mals came in to talk about their new record, Now We Can See, and they were nice enough to play a few songs, too! It’s been some­thing of a life­long dream real­ized and it would­n’t have been pos­si­ble with­out being sur­round­ed by peo­ple who weren’t only will­ing but excit­ed to work on projects like this. It’s impos­si­bly cool!

It’s also intense­ly reward­ing. I’ve been thrilled to talk to bands I love in a free­wheel­ing inter­view style that real­ly cap­tures their per­son­al­i­ties and brings fans clos­er to them and their music. I can’t wait to share clips from both shoots with you!

What else have I been up to? I’m get­ting back to writ­ing more often now that I have a great intern help­ing me with the day-to-day issues at comcast.net/music. I’d love to get back where I was before our last crop of interns left, when I was writ­ing some­thing every day that could be fea­tured some­where on the music page. It’s a chal­lenge to pro­duce mate­r­i­al that real­ly res­onates with an audi­ence that’s grown accus­tomed to a steady diet of gos­sip, but when artists like Bruce Spring­steen are plagued by Tick­et­mas­ter, there’s a great oppor­tu­ni­ty to speak out about the ways in which the music indus­try is still pun­ish­ing fans at the very moment they should be falling over them­selves to please them.

Last­ly, I record­ed my first voice-over yes­ter­day. This, too, is some­thing of a life­long dream. Peo­ple have been ask­ing me if I’ve thought about doing radio for years, so when I got a chance to read for a forth­com­ing web series on Fan­cast, I leapt at the chance. It’s a real­ly fun con­cept that gave me a great oppor­tu­ni­ty to read in my best Movie­fone voice, which I don’t do near­ly enough these days. I’ll be sure to post that here when it goes live. I’d love to hear what you think.

None of this would be pos­si­ble if I weren’t sur­round­ed by great peo­ple who are will­ing to take a chance on pro­duc­ing the sort of music con­tent I think appeals to peo­ple who love music…like me!

I’m Interviewing Mastodon Today

Today is a real­ly excit­ing day and not just because it’s Fri­day and the sun is final­ly shin­ing. I’m bring­ing Mastodon into the Com­cast Cen­ter to talk about their new album, Crack the Skye! I know that inter­view­ing a band on tour isn’t that big a deal, but it’s a major step for­ward for comcast.net/music as I try to work more orig­i­nal music con­tent into my work­flow. The idea of hav­ing reg­u­lar inter­view and per­for­mance fea­turettes is one I hope bands, labels, and fans will appre­ci­ate. Of course, the pos­si­bil­i­ty of my face being some­where in the video on demand music fold­er is excit­ing as well.

I know. I used the word “work­flow.” If you’re pro­fes­sion­al­ly involved in any aspect of the music busi­ness, espe­cial­ly in edi­to­r­i­al, you already know how dif­fi­cult it is to do this sort of thing when peo­ple are clam­or­ing to find out whether or not Madon­na will be allowed to adopt in Malawi. Take my word for it: it’s hard.

Hav­ing said that, the Ther­mals are com­ing in next week to play a few songs for us before their show at John­ny Bren­da’s next Tues­day night. I’m real­ly look­ing for­ward to that, too! It’s an excit­ing time. Now the key is just build­ing momen­tum. Wish me luck!

Renewing My Love for Records

I’ve had a love affair with music for most of my life. It’s meant spend­ing mon­ey I did­n’t have just to get a par­tic­u­lar album, lest it sell out and not be restocked. It meant run­ning to Repo Records from Haver­ford Col­lege in the mid­dle of my high school track meets. It meant secret trips to Young Ones in Kutz­town when I was sup­posed to be head­ed to the pool to life­guard. Lat­er, it meant lunch break pil­grim­ages to Space­boy Music when I worked at TLA Video. It meant spend­ing hours at AKA Music just soak­ing in new and unfa­mil­iar sounds.

The affair end­ed unex­pect­ed­ly. I’d been going to record stores since I was a teenag­er, whether it was the afore­men­tioned Young Ones, or just ask­ing the hap­less clerk at Sam Goody in the Coven­try Mall in Pottstown if they had any Fugazi. I pestered the guys at Space­boy as they migrat­ed west on South St. right up until the store closed. I mourned the loss of Repo Records on Lan­cast­er Avenue even after it had been com­plete­ly picked over and left for dead long before they shut the doors for good. I still cared about the alleged­ly obso­lete rit­u­al that we nos­tal­gics will strug­gle to explain to our chil­dren; “Once upon a time, we went to record stores, argued with clerks, and bought music, face to face.”

Then one day I just stopped going. I tried to tell myself it was a pass­ing thing and that I would find myself brows­ing the racks at AKA again soon enough, but a few months quick­ly became two years. I’d walk by the store some­times and remem­ber that I helped them move twice as they drift­ed up 2nd St. to their present location.

Now I’ve fall­en in love all over again, head over heels. I wan­dered back into AKA on Record Store Day and picked up Pave­men­t’s Live in Koln LP, along with two Son­ic Youth split 7″. I’ve been hunt­ing down R.E.M. on vinyl, too. It’s felt great to get back into the swing of things and to real­ly enjoy the lush sounds of heavy vinyl warm­ing up the house. The whole expe­ri­ence is so much more sat­is­fy­ing for me, speak­ing as some­one who found that I lis­tened to music less at home since the advent of the iPod.

I’m hap­py to be back in the habit of look­ing for old and new favorites on LP. I’ve resolved to buy any album I rec­om­mend over the course of the year, and I’ve been doing due dili­gence to pick up those I con­sid­ered favorites dur­ing the past two years. In short, I’ve been giv­ing Insound and eBay an awful lot of busi­ness late­ly, which puts a smile on my face.

My Turntable Returns!

My turntable
Orig­i­nal­ly uploaded by J T. Ramsay

One of the things that makes me laugh is the slew of arti­cles that have been writ­ten late­ly about the resur­gence of vinyl. I laugh main­ly because I felt that the vinyl resur­gence had come and gone. I asso­ci­at­ed the trend with Mata­dor’s renewed com­mit­ment to reis­su­ing some of their back cat­a­logue on 180 gram vinyl, some­thing they did four or five years ago.

I chew my friend Mark’s ear off all the time when­ev­er I read a new sto­ry declar­ing that the vinyl LP — the vehi­cle that brought rock ’n’ roll into garages, liv­ing rooms, and base­ments across Amer­i­ca — would rise like a Phoenix, car­ry­ing the music indus­try on its back. It’s a love­ly, roman­tic thought to which I say, “Fat chance.”

Me? I’ve been see-saw­ing back and forth between lov­ing the medi­um and lov­ing it but hav­ing no room for the cum­ber­some equip­ment that can dom­i­nate any Philadel­phia apart­ment or rowhome eas­i­ly if you’re not care­ful. Con­tin­ue read­ing

Why We Are Debating Free

The answer’s easy: it does­n’t work for music. Unless you were liv­ing under a rock on Fri­day, you prob­a­bly read Techcrunch’s post, “The Sor­ry State of Music Star­tups.” With­out going into great detail, Arring­ton’s com­plete­ly right, and for once, he does­n’t resort to the whole “music just wants to be free” argu­ment so com­mon among Web 2.0 types. Instead, he writes that “free stream­ing music” is about as sen­si­ble as try­ing to douse a burn­ing pile of mon­ey with a gal­lon of gasoline.

With all due respect to Bruce Houghton at Hype­bot and Andrew Dub­ber at New Music Strate­gies, the dream is over. It’s time to wake up and smell the cof­fee. Con­tin­ue read­ing