Spoon — Hot Thoughts

I haven’t been this excit­ed for new music from Spoon in some time. Maybe since Gimme Fic­tion? I loved Ga Ga Ga Ga Ga, liked a few tracks on Trans­fer­ence and then I’m embar­rassed to admit that I slept through They Want My Soul altogether.

The lead sin­gle, “Hot Thoughts,” strikes a famil­iar chord: it is unmis­tak­ably a Spoon record, find­ing a groove and lock­ing it in. I’m look­ing for­ward to hear­ing more in March.

LVL UP — Hidden Driver

Heard Sub Pop’s LVL UP on All Songs Con­sid­ered as I drove to Cincin­nati last night. Not only are the per­fect for the per­son who’s still obsessed with Neu­tral Milk Hotel, but this song, “Hid­den Dri­ver,” is about a web­site co-found­ed by one of my very tal­ent­ed grad school class­mates, Astra Taylor! I’m excit­ed to hear LVL UP’s Return to Love at the end of next month.

In Praise of Dinosaur Jr.

Have I real­ly not writ­ten any­thing about Dinosaur Jr. since this post? Seems so, apart from a pass­ing ref­er­ence in 2011 to J Mas­cis’ excel­lent Sev­er­al Shades of Why back in 2011. It’s crazy, because when I real­ly think about it, Dinosaur Jr. may be that band that some­how sur­vives every crit­i­cal hangup I ought to have about them.

I mean, I found things wrong with my favorites that makes it hard to under­stand how I ever loved them so much in the first place. R.E.M., neat­ly summed up in a 2‑part pod­cast over at Shal­low Rewards, is one exam­ple. Pave­ment, Spoon and Son­ic Youth? Love them bare­ly ever lis­ten to them these days. Even bands I fell in love with as an adult, like Fiery Fur­naces, Liars and TV on the Radio feel dated.

Some­how, I don’t feel the same way about Dinosaur Jr. Maybe it’s the unmis­tak­able crunchy riff­ing or the time­less­ness of J Mas­cis’ voice, but there’s some­thing deeply sat­is­fy­ing about them. I find myself return­ing to these records and Mas­cis’ recent solo work more often than I realize.

As sum­mer fades and fall draws near, I know I’ll be spend­ing more time with their lat­est record, Give a Glimpse of What Yer Not, like a favorite sweater.

Link

Stereogum on Pitchfork Music Festival

Stere­ogum’s Tom Brei­han on the Pitch­fork Music Festival:

I find some­thing quizzi­cal and hon­or­able in this: A whole fes­ti­val built around music that is not, in any way, designed for par­ty­ing. In a way, isn’t that the log­i­cal end­point of a decade-plus of inter­net music con­sump­tion? We’ve all spent all this time find­ing music on our com­put­ers and pip­ing that music direct­ly into our ears, rarely if ever hav­ing real-life con­ver­sa­tions about some of the artists who mean the most to us. Why shouldn’t we be ded­i­cat­ing entire fes­ti­vals to that same anti­so­cial experience?

Need a #latepass here, but I’m not alto­geth­er sure what this is about. I attend­ed the show Sat­ur­day with a friend, cour­tesy of Pitch­fork, and found myself chat­ting with present and for­mer Pitch­fork crit­ics, as well as the Super Fur­ry Ani­mals in the VIP.

There was also a mas­sive crowd in Union Park singing “Bar­bara Ann” as I left. It sound­ed about the same as when I first expe­ri­enced the Beach Boys 30 years ago at the Great Allen­town Fair.