Two local blogs I follow doggedly now are Plan Philly and Brownstoner’s Philly branch. I really got into the former when I started noticing bylines from my online buddy Brian James Kirk. I noticed that the site really picked up steam and was on top of all the cool development issues and the not-so-cool ones, too. Same for Brownstoner. They do the thankless work that green reporters do: attend zoning hearings and watch real estate transactions to see who’s buying what and why. I’m realizing in this moment that this is why I love Foobooz’s restaurant deathwatch so much.
As I’ve said like 1,000 times before, I got a degree in urban political economy before I found myself getting a steady paycheck for knowing things about folks like Beyonce and Rihanna. Stuff like this, boring as it may seem, really excites me. And sometimes those worlds collide!
Such is the case with talk of a new music venue not so far from my home here in Port Fishington or Olde Richmond as our silly neighborhood association likes to call it. It strikes me as a complete non-starter, not only because that stretch of road is some of the most desolate within walking distance, but also because why in the hell does Philadelphia need another music venue that size? Do they know the live music business is cratering all around us? Is Live Nation really that desperate to find a new and creative way to lose money in a market they already lost?
Aesthetically, Grasso’s design looks like World Cafe Live! on steroids, which is to say, a venue I don’t visit often on steroids. (For the record, I’ve been to World Cafe Live! twice and I’ve never paid.) I’ll grant that there’s an off chance it succeeds if artists like Rihanna, et. al. feel like the Borgata is insufficient to their “premium experience” demands. But I have a hard time believing that the hard luck crowd hitting SugarHouse is going to schlep up Richmond for a big bucks concert later in the evening.
It’s interesting to read David Grasso’s own comment on Philebrity, where I’m sure many folks hip to the scene heard of this for the first time. Grasso addresses the gauntlet he allegedly threw down at the Electric Factory, the venue most likely affected should his new project go forward. You can read his defense here.
I’ve been in Philadelphia and on the music scene for a solid seven years. I’ve seen the rise and fall of great music venues, including the North Star and the Khyber. I’ve seen the resurrection of the Tower. I’ve watched as Clear Channel struggled once they lost their monopoly on the market. I’m honestly surprised to see Sean Agnew having the success he has, and I’m happy for him. Does that mean that Grasso deserves to build a music emporium that would directly compete with a venue like the Electric Factory? Hardly.
I know lots of folks think that the only solution to “save” the Philadelphia waterfront is to develop it as intensely as possible, without care for sustainability. I strongly disagree. I think that if there are areas worth preserving, or even reclaiming, as public space, then that should be the rule, rather than arbitrarily auctioning tracts of land to developers who don’t seem to understand the future of their business. I’d hate to see this become the fanciest dollar store in Port Richmond in five years.