Pitchfork’s Top 200 Tracks of the 1990s

I’d been wait­ing to write how awestruck I’ve been by this, but I can’t con­tain myself any longer. This list has been facemelt­ing­ly per­fect, at least from the per­spec­tive of any­one who’s been read­ing Pitch­fork since the days of dial-up. I can hard­ly be both­ered with the snooty crit­ic’s picks, but what fas­ci­nates me are the entries for the cor­po­rate rock enti­ties that defined a gen­er­a­tion who thought they were rebelling against cor­po­rate entities.

Favorites of the moment include the entry for Oasis’ “Live For­ev­er” and the Verve’s “Bit­ter­sweet Sym­pho­ny,” to say noth­ing of New Order’s “Regret,” the song that intro­duced me to their entire cat­a­logue. Those open­ing strains still stop me in my tracks.

Am I a lit­tle bummed no one has out and out shocked the read­er­ship by includ­ing the Verve Pipe? Am I amazed that nei­ther Live nor Dave Matthews Band have made an appear­ance? Which U2 song will make the list? I hope they pick some­thing from Zooropa. The ’90s weren’t per­fect and nei­ther were we. I hope they acknowl­edge that somehow.